I've been trying to figure out why this video and others like it interest me so much. It's a unique perspective on a process we wouldn't normally see, it helps fill in the scope of the project and effort involved, and it's wonderful of the artist to be willing to share his creative tasks in a raw format like this. You really get a sense of his relationship with the work. He could just as easily have let the works speak for themselves, and if the viewer is curious about the process, allow their imagination to fill in the details.
The video is not an intrusive view of the work, and in some ways it generates more questions for me than answers (because that's how my mind works ;-)), but that's ok with me.
How much time is passing in this video? Did this happen over a couple of weeks or on several occasions over months? What season is it? What does that dark period represent? Was Magne away on tour with a-ha in parallel with some of this? And was the process for the other jar similar, or did they run into any delays or challenges that made it different? Were both jars built at the same time, or in succession? How many people were involved with building the jars, and was Magne present for that, or did he only arrive in time for the actual imprinting of letters and painting work? What kind of mental transition does Magne have to make between all his creative projects, in order to give 100% focus on what he is doing in the moment? Or do all his projects somehow inform the result of whatever he is working on at any given time? How long did it take to fire the jars and how many days did it take to complete the glazing? Is it a local team of people doing the building of the jar or did Magne bring people with him to do the work? How did they make sure the sides of the jar were uniformly thick? Is there a 'front' of a round object? Did he know when he was doing the work which side of the jar would face the road and which would face the center of the park? Did he consider the view of the work from the office buildings, mostly from above? Why haven't we seen a photo of the finished sculpture park from above?! I'd sure like to see that ;-)
All questions don't require answers, but the curiosity certainly has value in that it leads to further thought and a kind of bond with the subject. If you look at an artwork once and can't find one thing about it to spark a new thought or a question or an emotion, you'll never bother to look at it again.
I believe that one reason people return again and again to view certain art is that the works tell an endless story that evolves every time you visit. Perhaps because I have been watching the process from afar, via whatever photos and videos Magne has allowed to be shared in media etc., the 'Imprints' works had a story of their own in my mind before I ever saw them in person, and their story will continue to evolve. Having visited the site three times, at specific and impactful moments in my own life, I can't help but associate some of the works with profound personal memories of my own.
All this to say that this little video is interesting to me for a lot of reasons, mostly due to my own history and perspective, not least of which is my fascination with Magne's art in particular. Over the years I have learned some things about myself because of my interest in art and music.
Does my story matter all that much in relation to the 'Imprints' works? Not to the world, of course. But my story informs my response to the works, just as your story informs your response. I can only encourage you to look at this art - and any art - as something that sparks a thought, or a question, or an emotion, so that you can be open to what it tells you not only about itself but about yourself.
EDIT: I see that LJ is up and I can post now :-) Not sure this will be interesting to anyone but me, but that's ok. In any case, have a wonderful Christmas and here's to more art and music from Magne in 2017!